Full Action Service / {{total_slide_count}} {{current_slide_index}} Service / Full Action Stunts / SFX / Armory / Special forces DIRECTING • STUNTS • SPECIAL EFFECTS • ARMORY • MG FORCES
To serve the story

HIGH-END ACTION SERVICES FOR FILM & TELEVISION

From specialist departments to fully integrated action leadership.

MG ACTION provides action services for international film and television productions.
Every department can be commissioned independently or combined under one creative and operational lead, depending on the needs of the production.

SPECIAL FORCES FOR FILM

Military expertise, tactical advising, authentic equipment, specialist performers and operational preparation.

STUNT COORDINATION

Complete stunt design and coordination for productions of every scale.

INTEGRATED ACTION LEADERSHIP

One creative vision.
One responsible lead.
One integrated action department.

SPECIAL PRACTICAL EFFECTS

Explosions, atmospheric effects, rigs, technical effects and complex practical solutions.

WEAPONS & ARMORY

Professional armory services, weapons handling and specialist weapons support for film productions.

Every department can be booked individually.
For productions choosing our integrated approach, action is developed under one creative vision from script development through execution.
The result is fewer interfaces, clearer communication and action sequences designed as one coherent part of the story.

Whatever the scope of the project, our objective remains the same:

TO SERVE THE STORY.

SAFETY

Meticulous planning.
Responsible execution.
No compromises.

AUTHENTICITY

Built on real production experience and operational insight.

EXPERIENCE

More than 30 years in film.
340+ international productions.

Martin Goeres

More than 30 years of experience across stunts, special practical effects, weapons, directing, camera, editing and performance have given Martin Goeres an unusually broad filmmaking vocabulary.

His work combines creative action design, practical execution and a deep understanding of character, conflict and visual storytelling. By drawing from multiple filmmaking disciplines, he develops action sequences that are designed not only to impress, but to serve the story.

With more than 350 film and television credits and experience ranging from major international productions to highly specialized action projects, Martin brings together creative vision, technical expertise and production-focused leadership in a single action department.

Action is most powerful when it reveals character, drives conflict
and moves the story forward.

Press comments about MG’s work

  • "..The Lazarus Project has a bright concept behind it with satisfying bursts of action (think shootouts and international car chases)..."

    Nicole Vassell The Independent
  • The Lazarus Project is a big, robust sci-fi thriller with proper action scenes. Well-directed shoot-outs, car chases, punch-ups, sniper attacks and on-foot pursuits… the action is good, meaty and regularly delivered. It’s pacy and exhilarating without suffering from loud, bangy attention deficit disorder. The dynamic range from quiet moments to loud, impressive set pieces is handled well.

    Louisa Mellor Den of Geek
  • “The Lazarus Project transitioned from domestic drama to weird time-travel sci-fi flick to full stunt Mad Max car chase in less than an hour..."

    Carol Midgley The Times
  • What could be a slightly silly show with good gags and terrific stuntwork becomes something else, asking serious questions about a modern world that feels increasingly out of control.

    Gabriel Tate Finanzial Times
  • "... This show is fast and funny and furious and exciting — some of those stunt sequences are worthy of a Bond film, they really are.."

    Steven Perkins what to watch
  • "Much of the first two episodes are relatively low-key, largely taking on the form of a relationship drama with a Groundhog Day twist before exploding into action scenes on a scale rarely seen on British TV."

    Sam Moore Rolling Stone