/ {{total_slide_count}} {{current_slide_index}} Service / STUNT Directing / Stunt Coordination ACTION DIRECTING • 2ND UNIT DIRECTING • STUNT COORDINATON / {{total_slide_count}} {{current_slide_index}} Service / STUNT UTILITY / SAFETY UTILITY STUNT • STUNT SAFETY / {{total_slide_count}} {{current_slide_index}} Service / STUNT PERFORMER / RIGGER STUNT PERFORMER • STUNT DOUBLE • STUNT RIGGER next prev MG STUNTS To serve the story

Stunt Coordination • Action Design • 2nd Unit

Our stunt department provides complete stunt services for feature films, television and commercials—from stunt coordination and action design to second unit direction, stunt rigging and complex action sequences.

Every department is built specifically for the production. Through our international network, we assemble the right performers, coordinators and technical specialists for every creative and operational challenge.

MG ACTION’s approach is shaped by Martin Goeres’ experience in action design, stunt coordination and practical effects. Our team builds on this foundation to develop and deliver action tailored to each production.

Creative planning, technical preparation and meticulous risk management ensure action that is safe, believable and executed to the highest professional standards.

Our role does not begin with the stunt. It begins with the story.

Spotlight

CONSTELLATION

Action Design for Apple TV’s Constellation

Led by Martin Goeres, MG ACTION handled stunt coordination and actor preparation for Constellation on Apple TV+. Our team developed the Spider Tracks rigging system to enable repeatable zero-gravity movements throughout the ISS set, supporting complex choreography and flexible adjustments during filming. From demanding wire work to physically intense sequences, we developed the stunts around the characters and the story.

  • ... Yet Constellation truly is stunning to behold: Rapace’s spacewalk, for instance, features better special effects than any Marvel movie in the last 10 years...

    Ed Power The Telegraph

  • "To sell the ease of being weightless is actually quite hard. [...] The series avoids the typical 'superman' floating tropes, relying instead on intricate, coordinated choreography across the stunt and effects departments to capture the most authentic way to move in zero gravity."

    Carolyn Giardina Variety

  • The technical craft on display during the weightless sequences is exceptional. The way the characters drift, push off surfaces, and navigate the crisis inside the ISS shows a mastery of practical stunt rigging and physics that keeps the high-stakes action completely grounded in reality.

    Max Covill Roger Ebert

  • The opening episodes feature some of the best zero-G wire work put to screen in recent years. It doesn't look like effortless CGI; you can feel the heavy, deliberate momentum of the bodies in space, creating a masterclass in practical action design.

    Chase Hutchinson Collider

  • The massive production at Germany's Studio Babelsberg relies heavily on brilliant special effects coordination, utilizing custom camera platforms and microgravity simulator harnesses for weightlessness. The sheer technical craft behind these practical stunts is compelling and a marvel to watch.

    Susan Granger AWFJ
THE LAZARUS PROJECT
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Action Design for SKY’s The Lazarus Project

Led by Martin Goeres, MG ACTION handled stunt coordination, action design and second unit direction for the first season of The Lazarus Project. Our team planned and executed vehicle chases, precision driving and complex car rollovers. From preparation to camera direction, we developed the action around the characters and the story, creating intense sequences built on practical stunts.

  • "..The Lazarus Project has a bright concept behind it with satisfying bursts of action (think shootouts and international car chases)..."

    Nicole Vassell The Independent

  • The Lazarus Project is a big, robust sci-fi thriller with proper action scenes. Well-directed shoot-outs, car chases, punch-ups, sniper attacks and on-foot pursuits… the action is good, meaty and regularly delivered. It’s pacy and exhilarating without suffering from loud, bangy attention deficit disorder. The dynamic range from quiet moments to loud, impressive set pieces is handled well.

    Louisa Mellor Den of Geek

  • “The Lazarus Project transitioned from domestic drama to weird time-travel sci-fi flick to full stunt Mad Max car chase in less than an hour..."

    Carol Midgley The Times

  • What could be a slightly silly show with good gags and terrific stuntwork becomes something else, asking serious questions about a modern world that feels increasingly out of control.

    Gabriel Tate Finanzial Times

  • "... This show is fast and funny and furious and exciting — some of those stunt sequences are worthy of a Bond film, they really are.."

    Steven Perkins what to watch

  • "Much of the first two episodes are relatively low-key, largely taking on the form of a relationship drama with a Groundhog Day twist before exploding into action scenes on a scale rarely seen on British TV."

    Sam Moore Rolling Stone